Don't shoot in an environment that doesn't make sense. I have a newspaper, I'm going to be using. You're going somewhere into the mountains and you have all these things with you that you need to bring, field notes, sunglasses, a compass, and it's beautiful. But just some general ideas of where you could shoot, I always think the kitchen is a great place. What really makes this shot in my eyes is the lighting. I've been playing around with film photography a little bit and I love shooting with this camera. I have a napkin and a book, and a few other things that I think just really enhance the scene, the story that I'm trying to tell. And it's actually pretty simple. First off, I love the subject. If you do have a camera, a DSLR, or a mirrorless camera, I always recommend shooting with one of three lenses. Not sure, this might be too busy, but we'll play around with it when we're shooting. Let's try some with the iPhone here, because I just love this angle so much. When it comes to learning composition, I think the biggest mistake people make is they try to focus on these traditional composition terms that maybe they've read online, or maybe they've learned in the photography course. It makes us think, it makes us wonder what else is happening in the scene. Bring down the highlights, bring up the shadows more. I recommend checking out my photography essentials course, where I cover all the basics of photography. A longer shutter speed can also be used to capture motion blur during food-prep shots. It's a lot more thought out and you can see everything was very meticulously placed. And the weight color works in Lightroom is you can adjust it the HSL slide, there's the hue, which is basically the tone of the color of the actual color. Let's start at the top with lighting and why it's important for still life photography. Really be mindful of everything that's in your frame, because that is going to lead to a much better styled image. If you’ve never tried taking pictures of food for your stock photography, I encourage you to give it a try! They'd bring down the highlights, bring up the shadows. See you guys can see the actual difference that it makes. But once we've kinda got our color diode, and the next thing I'd like to do is turn to the split toning. Every object that we have in our lives, we have some preconceived notion about that object. If the light is too harsh, of course, you can use a bed sheet. If your table is too high and causing trouble with your overhead shots, try placing your set on the ground. If you have nice natural light coming into a bed, you can do so much with the sheets, and the comforter to add a lot of diagonal lines of interest, and come up with a really cool styled scene to shoot there. And then I basically drag the top up and the backside down so you can see it looks like an S and it adds so much contrast and so much interest to our scene. We'd bring the blacks down, just kind of playing around with everything. Another good thing about presets is they're actually really good for learning. Some of the other props that I have here, I have an old medium format camera. 6. I think they've done a fantastic job at all the things we discussed in the last video and there's a few I want to highlight because there's a few that are my favorite out of this bunch here. If you enjoyed this article, you might also like... different lenses can give you different looks. Great Fruit and Vegetable Still Life Photography ... 5 Tips for Doing Photography While Social ... 10 Great At-Home Creative Photography Ideas. I showed you guys how I styled my scene, how I chose places in my house. You will know that I love aperture priority and I think it's sometimes a mistake for us to always be shooting in manual mode, aperture priority, oftentimes does everything we need it to do, and I'm going to prove that to you guys today by shooting in aperture priority. The first one is the strength of the light source, and the second one is the direction of the light source. So just these, these areas here being sharpened. And these were all shot on the iPhone 11 pro Max. What I like to do is hold Option or Alt on your keyboard. These items all need to rest upon a solid base. And actually I edit a lot of my images nowadays using my iPhone because it's the same exact editing software. Dark and misting a little bit, that looks pretty cool. And I do that by designating them as red. Overall, a very, very beautiful image and there's so many beautiful images on Instagram. Also just come up here like this and shoot it from here. Capture a few photos of a still life object in your home. That will help you when you go to shoot because you can take a look at some of the other people's images, really dissect how they've gone about creating those images and hopefully that will help you out in your shoot when you finish this course. But for the most part, since we shot in one scene here, everything looks really nice and I'm really, really happy with how everything came out. Well, then you might want to shoot that in a much different way than you would shoot a cup of coffee. I formerly wrote for another now discontinued online photo site, Improve Photography, and did an article called “Tips for the Non-Traveling Photographer.” I’d encourage you to have a look, as almost all of the images in that piece were done at home or within 20-miles of my house. Why? Note how a wide-angle lens emphasizes the size of objects nearest the lens, how a telephoto compresses space between objects, or how a wide aperture reduces your depth-of-field. If you're interested in photography. Beds are also really awesome, there's a lot of emotion attached to beds. It's one of the most popular editing softwares out there and I'm sure you've heard of it. And I always use what's called an S curve, which basically makes the curve looks like an S. I start in the bottom left-hand corner and I drag this down a little bit, and that's just deepening those blocks. Anatomy of a Good Still Life Photo: In this lesson, I want to talk about what constitutes a good still life image. I really like the greens in our scene, so I'm gonna leave you the greens there. If you need ideas, search dPS, or Google “creative photography” and see what catches your eye, then figure out how to do it yourself. Selecting a Location to Shoot: All right guys, as you can see, I've stepped away from the table and now I'm standing in the room that we're actually going to be shooting in very soon here. But overall, this scene here is actually really quite nice for what I'm trying to achieve in this photograph. Plus countless other tips that are shared throughout the course! So I'm just going to leave it in the middle. When I'm shooting still life, I like to really move around and capture my subjects from a ton of different angles. And I'm gonna take the shadows and go up all the way up to maybe 30 will be 30. First off, we have this map on the bottom. For example, if you change the direction of your lighting, well, it might change your composition. Now when talking about light, I always recommend natural light across the board. Whatever you do, let me repeat something I said earlier…work to make your image different. Last but certainly not least, is composition. Perspective is everything. Please leave a review. Sleepy street, pumpkin spice. This photographer uses light really well and if you look at his page, he does a lot of really beautiful things with soft light from the windows and composition wise, it's a flat lay and a top-down or a flat lay composition like this is really great for styling because you can really control where everything is in your frame.

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