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The frequency response is perfectly tailored for bass instruments with a 20Hz to 10kHz frequency response with a presence boost at 4kHz to let electric basses and kick drums cut through the mix. 0000002410 00000 n
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Sensitivity. Shure PGA52 Dynamic Microphone Features at a Glance: Dynamic mic optimized for low frequency response Ideal for kick drum, bass amps, and other bass heavy sources Swivel joint for precise mic positioning Quick release latch for fast setup and teardown Built to last. Polar Pattern. Phone Hours | $139.99. 0000130900 00000 n
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Tailored frequency response is smooth and extended. Placement: Set up the microphones with the capsules close together, but not touching. 0000004798 00000 n
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The handy quick release latch makes setup and teardown a snap. Supplying phantom power to the other included microphones will not cause damage. Small changes in microphone placement (distance and angle) strongly impact the sound characteristics. Overheads can be panned from the audience or drummer's perspective, depending on preference. Three-pin professional audio (XLR), male This website uses cookies to improve your experience. Small changes in microphone placement (distance and angle) strongly impact the sound characteristics. Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3. 0000291471 00000 n
t9���@Q�eB�JU�l&�x1���`�e� qBj�� o*H�. Polar Pattern. The CE Declaration of Conformity can be obtained from: www.shure.com/europe/compliance, Headquarters Europe, Middle East & Africa. 454 g (16.01oz.) Use the included AP56DM drum mounts to attach the PGA56 onto the drum. Connector. 0000004162 00000 n
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Additional information on recording drums and microphone techniques is available at shure.com, Move the microphone into the desired position, Press the lever back towards the microphone to tighten. Spaced pair recording can deliver a dramatic stereo effect because sound arrives at each microphone at a slightly different time, providing the listener with timing cues that localize sounds. Dynamic (moving coil) Frequency Response. Placement: Angle the microphones at 110°, with the capsules 17 cm apart. 0000011661 00000 n
Place the microphone in front of the resonant kick drum head. Place the microphone 1-4 inches above the drum, near the rim. Suitable for live and studio applications, PG Alta microphones are built to last, and meet the same rigorous quality testing standards that make all Shure products trustworthy and reliable. Output Impedance. Suitable for live and studio applications, PG Alta microphones are built to last, and meet the same rigorous quality testing standards that make all Shure products trustworthy and reliable. Cardioid. Cardioid dynamic microphone. A high-performance microphone tuned to capture low-end punch. 0000003885 00000 n
Phantom power is provided by the mixer or audio interface that the microphone is connected to, and requires the use of a balanced microphone cable: XLR-to-XLR or XLR-to-TRS. A Sweetwater Sales Engineer will get back to you shortly. 50 to 12, 000 Hz. The microphone can also be mounted on a standard 5/8" microphone stand. Happy customers, one piece of gear at a time! For drum overheads, the snare drum should be equidistant from each microphone to achieve a tight, focused sound. Although this microphone has a small diaphragm, it still has a large frequency response from 60-20000 Hz, making it suitable for a wide range of applications. NOTE: Applies to PGA81 condenser microphones only. Keep the distance between microphones at least three times the distance from each microphone to its source (“three to one rule”). If time permits, experiment with various microphone positions to achieve the preferred sound. The Shure PG52 Dynamic Bass Drum Microphone is a high-performance microphone tuned to capture low-end punch, the PG 52 is specifically designed for kick drum or bass amplifiers. 150 Ω. Developed as a French broadcasting standard, ORTF technique replicates the spacing and angle of human ears. The X-Y technique provides excellent phase coherency because sound arrives simultaneously at both microphones. PGA181: Stereo pair (ensemble), any individual instrument. 0000003004 00000 n
In most cases, there is a switch or button to activate the phantom power. 50 to 12, 000 Hz. Place the microphone so that unwanted sound sources, such as monitors and loudspeakers, are directly behind it. Learn More. Shure BETA 57A. at 1 kHz, open circuit voltage-55 dBV/Pa¹ (1.75 mV) Polarity. Make your woofers work, with the Shure PGA52! I am glad I bought it !! Microphone Type: Dynamic (moving coil) Polar Pattern: Cardioid (unidirectional) Frequency Response: 30 to 13,000 Hz Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of microphone output connector Output Impedance (at 1000 Hz): 300 ohms Sensitivity (at 1000 Hz):-55 dBV/Pa, (1.8 mV), 1 Pascal=94 dB SPL h�bb 454 g (16.01oz.) $114.00. Placement: Angle the microphones at 110°, with the capsules 17 cm apart. H�tWɎ7��W�hZ#�Z�@����@? 430 0 obj
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Overhead microphones capture cymbals and an overall stereo image of the drums. 0000000016 00000 n
A well-tuned kit significantly improves the sound quality for recording and live sound reinforcement. This phenomenon, known as proximity effect, can be used to create a warmer, more powerful sound. Pan them slightly in opposite channels to create a full, roomy sound. Music background: Engineer / Studio Owner, PGA52 Cardioid Dynamic Kick Drum Microphone. PGA52 Type. Tuned specifically for kick drum applications. Recommended Loudspeaker Locations for Supercardioid Microphones. 0000017262 00000 n
Phantom power is provided by the mixer or audio interface that the microphone is connected to, and requires the use of a balanced microphone cable: XLR-to-XLR or XLR-to-TRS. Output Impedance. 0000201004 00000 n
Panning (directing the signals left and right) adds width and directionality when listening on stereo systems or headphones. Placement: Set up the microphones with the capsules close together, but not touching. Sensitivity. Additional design highlights include a swivel joint featuring a quick-release latch similar to bicycle component-locking technology for extremely quick and easy positioning. Aim the microphone toward the desired sound source (such as the talker, singer, or instrument) and away from unwanted sources. Frequency Response 50 to 12,000 Hz Polar Pattern Cardioid Output Impedance 150 Ω Sensitivity at 1 kHz, open circuit voltage-55 dBV/Pa¹ (1.75 mV) Polarity Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Weight 454 g (16.01oz.) Dynamic mic optimized for low frequency response, Ideal for kick drum, bass amps, and other bass heavy sources, Quick release latch for fast setup and teardown. pga52 Cardioid Dynamic Kick Drum Microphone The PGA52 is designed to deliver clarity in kick drum and low-frequency performance and recording applications. Aim the microphone at the center of the speaker cone for a bright, punchy sound, or towards the edge of the speaker for a mellow sound. A high-performance microphone tuned to capture low-end punch. 0000181275 00000 n
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Note: Availability of specific bundles varies by region. The PG Alta series delivers professional quality audio at an affordable price, with solutions for capturing nearly any source, including voice, acoustic instruments, drums, and amplified electric instruments. To minimize feedback and ensure optimum rejection of unwanted sound, always test microphone placement before a performance. Experiment with angles between 90 and 120 degrees to capture the full width of the source. Get Directions | 0000132508 00000 n
Refer to the stereo microphone techniques section for details. 0000016753 00000 n
Overheads can be panned from the audience or drummer's perspective, depending on preference.
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