For applications which would likely have a higher stage volume, the supercardioid pattern would likely yield better results due to the tighter pattern, but it was not necessary for this show. KSM8 is a dynamic with a darker tone. Cardioid is more natural but may need a louder vocal to combat feedback. Using the subcardioid setting, even a person holding the mic vertical to the floor and speaking into the side can be heard and understood. Let’s also keep in mind the increasing sophistication of today’s consumers who (mp3’s aside) are more used to hearing musical and other programming louder and clearer than ever. Great write up. Summary In terms of frequency response, the sound of KSM9 is very well tailored, and it does sound much better than a typical ‘flat-response’ condenser. The event in which it gets out of order is quite unlikely, however, with a good amount of acceleration, anything can be achieved. Just make sure to point it where you want to and it will do the rest. With its dual diaphragm design and switchable polar patterns, the KSM9 is the choice for the world's most accomplished vocal performances. Case in point the beyerdynamic M88tg. This mic has a number of features that make the overall experience even more enhancing… First of all, is a state of art suspension system for the capsule, which results in reduced handling noise. Its grille assembly unthreads, revealing the mic capsule and a well-marked switch to select the desired polar pattern. The electronic circuit is maybe complex but it doesn’t utilize any vulnerable components (such as triodes, crystal oscillators, etc.) All you need to know about wireless microphones. For more information and reproduction guidelines please contact us at 919-325-0120 or info@churchproduction.com, Review: First Look: Shure KSM9HS Handheld Vocal Microphone. It maintains a great accuracy at higher freqs (where other mics err), and even those high-pitched harmonics sound so much natural! The mic has a well-behaved and consistent hypercardioid pattern, lending itself well to circumstances where achieving high gain before feedback is difficult. Shure KSM9 is a professional on-stage condenser mic. Between the KsM9 and the E935 which would be better for handheld studio rap/vocals? Last but not least is an interchangeable polar pattern. Keep in mind, Heil mic is more sensitive, which is both a pro and a con. The KSM9HS lists for $874. As for music genres, KSM9 works best with latin, jazz, pop music, rock and similar. The KSM9 retails for $850, but street price is in the vicinity of $700, and it carries a two year limited warranty. It offers a natural, open sound, with a very balanced low-end, beautifully smooth midrange and brilliant highs. As you would infer from a look at the frequency response chart, the KSM9 is not a microphone that you would expect to work well on low frequency instruments or for ambient recording, which is fine, though other vocal-oriented microphones can work well in non-voice applications. What characteristics can I expect when using a KSM9? The KSM9 from Shure Inc. of Niles, IL originally debuted as the microphone part of the high end UR24S/KSM9 wireless system. I wouldn’t be at all surprised to find the Shure KSM9 making its way onto the riders of higher end acts in the near future. Aside from its precious, gold layered, low mass diaphragm, KSM9 uses first class electric components for its preamplifier circuit. and all parts are high grade. The greatest attenuation “nulls” are at 110 degrees off-axis. Comica VM20 - budget DSLR & phone, mini-shotgun review. Understanding different microphone polar patterns. Aside from singers, we’ve seen it working for acoustic artists too, for example guitar players etc. The lows are being naturally rolled off to avoid that unwanted mud and boominess. The output of these capsules is manipulated electronically to support two pickup patterns, cardioid and supercardioid. This microphone can give a colossal improvement to your vocal and it actually deserves every dollar spent. An optional windscreen for outdoor (or singers who splatter) usage is available. With both kick drums and bass guitar cabinets the KSM9 lacked low end heft, which was as expected. There is no doubt whatsoever that the KSM9 excelled in its ability to tolerate changes in the proximity of the singer (ranging from distances of 6” to basically touching the microphone grille) better than any other handheld condenser that I have ever used. Because of the peaked ceiling, and the speaker cluster almost overhead, this location has often been prone to feedback. Sonically the KSM9 is a good sounding microphone for its intended purpose, but in my opinion it is bested by the Neumann KMS105 and KMS104 microphones which offer lower self noise, smoother response,better low level resolution, and surprisingly a lower price.

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