With a tonic of C, it consists of the notes C D E F G♭ A♭ B♭. The great thing about this mode is that, if the progression contains the note B as a chord, it can be used to play over a C Major progression. The best way to get a feel for this new scale is by practicing writing bass licks and riffs using it. The Locrian mode is, in its purest form, the white notes from B-B. B Major B Minor B Melodic Minor B Harmonic Minor B Major Pentatonic B Minor Pentatonic B Blues B Rock 'n' roll B Ionian B Dorian B Phrygian B Lydian B Mixolydian B Aeolian B Locrian B Dorian Bebop B Mixolydian Bebop B Gypsy Major B Gypsy Minor. He names this transpositional class the seven-tone impure major second scale, and notes that the various modes of the major Locrian can all be defined as the whole tone scale with one additional note, and where that note occurs does not affect the transpositional class. In 12-equal temperament, the diminished third is enharmonically equivalent to a major second, but in other meantone systems it is wider and more nearly like a third. Locrian Mode for Guitar. Let’s go back to our parent scale, the C major scale (aka C Ionian mode). In terms of scales, the major bass scales and the minor bass scales that we know and love are in fact new kids on the block. If you are serious about learning to play the bass, check out JamPlay. A♭ | A | B | D♭ | D | E | G♭. In this article, we will talk about the seventh mode, the Locrian mode on bass guitar. With lessons taught by some of the most famous bassists in the world and new content being added on a weekly basis, you can learn whatever you want at your own convenience! It may also be derived from the Phrygian Dominant scale, but this time, the second is major, while the fifth is diminished. Examples are given of the use of this scale by Claude Debussy in his opera Pelléas et Mélisande and Alban Berg in his song "Nacht". Locrian scale for guitar. It may also be derived from the Phrygian Dominant scale, but this time, the second is major, while the fifth is diminished. * In reality, Locrian scales are seldom used throughout a whole song. F Lydian mode: major scale with a characteristic #4 (sounds hip) G Mixolydian mode: dominant scale (sounds bluesy) A Aeolian mode: the natural minor scale; B Locrian mode: half-diminished scale, to be used over m7b5 chords . In D that is the bE. B Locrian scale for guitar. In the fretboard pattern, the first root note is on the 6th string, 7th fret. If you need help in reading the diagrams on this page, check the How to read music for guitar tutorial. It can also be the natural minor scale or Aeolian mode with raised third and lowered fifth intervals. Being built off of the seventh scale degree of the C Major scale, the Locrian mode already tells us a lot about itself. Use notes from the scale in the diagram above.*. Once you are a bit more familiar with the Locrian mode on bass guitar, try using it to improvise over a fitting progression. The Locrian scale is the minor scale that appears when a major scale is played with the seventh note (seventh scale-degree) as the root. On this page, you find several fretboard diagrams for the Locrian scale, with box and 3 notes per string patterns. Modes are all built off of one single scale, the C Major scale, and are branches of each of the C Major scale’s degrees. It can also be the natural minor scale or Aeolian mode with raised third and lowered fifth intervals. The following example mixes three minor modes: eolian (regular minor), Phrygian and Locrian. In music, the major Locrian scale, also called the Locrian major scale, is the scale obtained by sharpening the second and third notes of the diatonic Locrian mode. And, like all other modes, the pattern of half steps and whole steps, otherwise known as half tones and whole tones, that make up this mode are unique to it and it alone. They offer the best online instructional content to help you achieve short term and long term goals. Just remember, the two are different; the Locrian mode isn’t just a rearranged version of the C Major scale, and it shouldn’t be played as such. First, let´s repeat how the minor modes differs from one another: The example we will look into is in D. So, The Phrygian scale is a minor scale with a minor second added. It is identical to the B Locrian except for a major instead of a minor second which is indicated by the natural symbol. It's an often misunderstood and, as a result, misused mode. Lower these notes in the A major scale and you would end up with an A Locrian scale, spelled 1A 2Bb 3C 4D 5Eb 6F 7G.

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