La maja vestida es una de las obras más conocidas del pintor español Francisco de Goya.Está realizada en óleo sobre lienzo, mide 95 cm de alto y 188 cm de ancho, y fue pintada entre 1800 y 1808.Se encuentra en el Museo del Prado, Madrid, España, desde 1901, [1] después de un largo periodo en la Real Academia de San Fernando En la que en este tiempo fue secuestrada por investigaciones en él un tiempo, y luego fue pasada al Museo del Prado en el año … All Rights Reserved. This painting is based upon his earlier painting, La maja desnuda that he painted during 1797 – 1800, in this painting Maja is nude. He was brought on a separate charge of collaborating with the French, that is of treason. They have been in the Prado since 1901. It is generally assumed to have been painted between 1797 and 1800. "[9] In fact, the Inquisition by 1808 was nearing the end of its influence, and while it could draw attention to "dangerous" forms of expression, be they books, plays, or paintings, it was usually unable to fully suppress them. [4] Goya's figuration is short and angular, while Velázquez's is elongated and curved, and his figure placed on richly coloured satin, which starkly contrasts to the bare white cloths Goya's maja rests on. [6] As Godoy had only been found in possession of the painting, Goya was asked to identify why "he did them", and also "at whose request, and what attention guided him. Today they are hung side by side, although others have suggested that they were intended to be spaced apart, and seen in succession.[3]. She adopts the typical pose of the period, reclining backwards on a bed, her head resting on pillows, with her arms resting behind her head. However, many scholars have rejected this possibility, including Australian art critic Robert Hughes in his 2003 biography Goya. [5], The identity of the model and why the paintings were created are unknown. All Rights Reserved. [7], La maja desnuda has always hung alongside, above, or before its companion. The controversy was populist and driven by a political motive, following a mob gathering demanding Godoy's removal as Prime Minister. [5] Godoy retained the picture for six years before it was discovered by investigators for the Spanish Inquisition in 1808, along with his other "questionable pictures". The exact date Goya painted La Maja Vestida is unknown. Dopo la Maja desnuda gli commissionò quella vestida, identica nella posa e nelle dimensioni ma abbigliata da vesti signorili. It has also been cited as among the earliest Western artwork to depict a nude woman's pubic hair without obvious negative connotations (such as in images of prostitutes). It has been conjectured that the woman depicted was Godoy's young mistress Pepita Tudó. The fact that the model is also wearing contemporary clothing is also unusual. This woman is not submissive, nor weak, but has been painted as a strong and opinionated woman who is proud of her body and wishes to be observed. Some believe her to be Pepita Tudó, a young mistress, while others believe her to be María del Pilar Teresa, Duchess of Alba, who it was rumoured Goya was having an affair with at the time. Others believe that the woman is a composite of several different models. Goya created a pendant of the same woman identically posed, but clothed, known today as La maja vestida (The Clothed Maja); also in the Prado, it is usually hung next to La maja desnuda. Goya escaped prosecution when the tribunal accepted that he was following in a tradition, and emulating a Velázquez painting which had been favoured by Philip IV of Spain. Goya created a pendant of the same woman identically posed, but clothed, known today as La maja vestida (The Clothed Maja); also in the Prado, it is usually hung next to La maja desnuda. Goya painted The Clothed Maja, also referred to as La maja vestida between 1800 and 1805. This is most unique. Later that same year, an Italian-French-American co-production film based on this novel (sharing the same name) was made by S.G.C., Titanus Films, and United Artists. The subject is identified as a The novel The Naked Maja (by Samuel Edwards, 1959)[13] is based on Goya's affairs with the Duchess. Why he decided to paint Maja clothed, we will never know. [3], The painting carries many of the traditions of depictions of the nude in Spanish art, but marks a clear break in significant ways, especially in her bold gaze. Her outer garments have been removed or pushed aside in order to expose her body adorned in undergarments. Un nudo spagnolo. This name was given later; Goya did not usually title his works. Jeffrey Meyers, in his book Impressionist Quartet: The Intimate Genius of Manet and Morisot, Degas and Cassatt, opines that Manet's Olympia "boldly alluded to another masterpiece, Goya's Naked Maja. However, what is different is that Goya painted Maja with a determined gaze, as she stares straight at the observer. La Maja Vestida: La Cometa: The Forge: The Dog: Complete Works: La Maja Desnuda is an oils on canvas painting by the Spanish painter, Francisco Goya. The Nude Maja[1] (Spanish: La maja desnuda [la ˈmaxa ðezˈnuða]) is a name given to a c. 1797–1800 oil on canvas painting by the Spanish artist Francisco Goya. The painting was acquired by the Museo del Prado in Madrid in 1910, and remains there to this day. He had also previously painted her portrait. The Clothed Maja is a pendant painting by the Spanish painter Francisco de Goya between 1800 and 1805. One early account gives the Clothed Maja placed in front of the current work; the pull of a cord revealed the nude version. It is a clothed version of the earlier La maja desnuda (1797–1800) and is exhibited next to it in the same room at the Prado Museum in Madrid. The painting figures into the plot of film Toto in Madrid, an Italian comedy film from 1959, directed by Steno, written by Vittorio Metz, starring Totò and Louis de Funès. It has been in the Museo del Prado in Madrid since 1901. The subject is identified as a maja based on her costume in La maja vestida. © www.Francisco-de-Goya.com 2020. Your email address will not be published. The Naked Maja was the first life sized painting of a nude woman in the Western world, and Goya clearly drew inspiration from his painting when he painted The Clothed Maja, painting her also as a life sized model. "[7] His answers do not survive, but it is known that the Director of Confiscations noted that Goya had only followed and emulated Titian's Danaë series and Velázquez's Rokeby Venus; two painters, and their works, very much admired by the court and church, including their nudes, and the Inquisition had not found anything objectionable in the Rokeby Venus. There is much controversy surrounding who the actual Maja was and if she was known to Goya. In the fallout, Goya was named and summoned on a charge of moral depravity. La maja vestida es un lienzo en el que se mantiene una buena relación de dependencia, con la maja desnuda, ya aquel alrededor de ella se mantienen una historia parecida, sin embargo con la diferencia del desnudo, es una obra que fue exhibida al público en las áreas de la Academia de San Fernando en donde estuvo por muchos tiempo, entre los años 1808 y de 1813, 1836 y 1901. The Clothed Maja was originally owned by the Prime Minister of Spain, Manuel de Godoy, as well as by the Royal Academy of Fine Arts of San Fernando.

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