The truth is, any scale degree can be used as the starting point. Don’t worry about what the headings mean just yet: Ionian (no notes are altered)Dorian (b3, b7)Phyrgian (b2, b3, b6, b7)Lydian (#4)Mixolydian (b7)Aeolean (b3, b6, b7)Locrian (b2, b3, b5, b6, b7), Ionian (start on the 1st note of the major scale)Dorian (start on the 2nd note of the major scale)Phyrgian (start on the 3rd note of the major scale)Lydian (start on the 4th note of the major scale)Mixolydian (start on the 5th note of the major scale)Aeolean (start on the 6th note of the major scale)Locrian (start on the 7th note of the major scale). To understand Bb Lydian, we need to compare it to Bb Major. Same goes if we just played the C chord alone, we'd be in the key of C. At this point you might be wondering, if that's the case then why is the C F G chord progression all in the key of C and not changing key with each chord? Of course the individual musical notes used in these examples will differ, but the concept behind both of them is the same so I have basically duplicated content when appropriate and changed the relevant details that are specific to each key etc. For example, I can quite easily mention the Ab major scale, or the Lydian mode, or mention that F Dorian and Bb Mixolydian are both derived from the same major scale (Eb major, that is) and provide linked text that allows the reader to explore further, without digressing to far from the main point, whereas in conversation, I probably would have lost the listener a few sentences in. Flat 7 – lower the 7th note of C# Major (B#) to produce B. I like making music. Remember, to analyse C# Phrygian, we need to compare it to C# Major. Play through all four minor-based modes: Dorian-Aeolian-Phrygian-Locrian from one root note. For example, if we were to play a C major scale, it would have the following notes, Now, if we were to start on the 3rd note and play through the same notes, we would be playing a certain mode (E Phrygian, in fact). If you read this guide thoroughly and give it time to sink in, you will understand modes regardless of which approach you then believe is the best. Now, there are a few things that create this tonal centre, one of them is purely expectation! Just like learning a new language, while you can understand something in concept, you just have to spend time with it before it sinks in and becomes second nature. Definition: Modes are scales derived from a parent scale. Instead, they’re thought of as plain or natural scales. To understand Bb Locrian, we need to compare it to Bb Major. ii. Don’t worry if you don’t understand every detail as you are playing them, sometimes the best thing to do is just play. Let's see if we can shed some light on this without getting too bogged down with music theory. Dorian: A type of minor scale with a major 6th. There is quite a bit of information to take in and I have found through my own experience and through teaching others, that with modes, sometimes it’s not that you ‘get it’ or ‘don’t get it’, it just takes a while for it to sink in. As you study guitar theory, you’ll hear terms like mode, tonic, and scale. For example, start a major scale on the 6th degree and you create what is known as the minor scale (also known as the relative minor or natural minor). This is an important thing to grasp even though it sounds obvious. This can be a little confusing, because if we look at E Phrygian (E – F – G – A – B – C – D) there are clearly no sharps or flats in the scale itself, but the ‘flats’ (or lowered notes) refer to the notes that have been altered, relative to the original key (in this case E major). Having read a few bits and pieces about modes on various places on the internet, it is obvious that there are a range of opinions and approaches relating to modes and how to use them. In the key of C the chords would be C, F and G. What makes C the home key?. What we are looking at here is how its use has evolved and what role it plays today in the guitarist’s repertoire. Unfortunately that's pretty much where many tutorials stop with modes so it's no surprise that the subject ends up so confusing and begging the question ... "What's the point of modes?". To find out more about cookies, privacy and how we use advertising, please read our Advertising Disclaimer, Contact Info - Privacy Policy - Cookie Policy, Copyright © 2007 - 2020 www.guitar-chords.org.uk, C Ionian: C D E F G A B C - W W H W W W H, D Dorian: D E F G A B C D - W H W W W H W, E Phrygian: E F G A B C D E - H W W W H W W, F Lydian: F G A B C D E F - W W W H W W H, G Mixolydian: G A B C D E F G - W W H W W H W, A Aeolian: A B C D E F G A - W H W W H W W, B Locrian: B C D E F G A B - H W W H W W W.

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