Because I think you're wrong. But you're two wonderful people who happened to fall in love and happen to have a pigmentation problem. Maybe every day for the rest of your lives. Joanna Drayton: It never occurred to me that I would fall in love with a Negro, but I have, and nothing's going to change that. Where John made his mistake, I think, was attaching so much importance to what her mother and I might think. How instrumental it was in … A great memorable quote from the Guess Who's Coming to Dinner movie on Quotes.net - John: You listen to me. John: After all, a lot of people are going to think we are a shocking pair. Matt Drayton: There is nothing that your son feels for my daughter that I didn't feel for Christina. Matt Drayton: You're two wonderful people who happened to fall in love and happen to have a pigmentation problem. (They may even detect Dr. T DNA in Tim Burton's Willy Wonka and the Chocolate Factory!) And strange as it seems, that's the first statement made to me all day with which I am prepared to take issue... cause I think you're wrong, you're as wrong as you can be. I admit that I hadn't considered it, hadn't even thought about it, but I know exactly how he feels about her and there is nothing, absolutely nothing that you son feels for my daughter that I didn't feel for Christina. Their roles are mostly die-cut, and although the black-and-white cinematography and art direction won Academy Awards, the film looks crude and stilted. In 1961 the Academy's board of governors voted him the Irving Thalberg Award for his career as a producer. Guess Who's Coming to Dinner takes place during the course of one day as two families struggle to overcome their concerns about the interracial marriage of their children. I can't even have a dish of Oregon Boosenberry without runnin' into one of them. … You could try to ignore those people, or you could feel sorry for them and for their prejudice and their bigotry and their blind hatred and stupid fears, but where necessary you'll just have to cling tight to each other and say "screw all those people"! Anybody could make a case, and a hell of a good case, against your getting married. Matt Drayton: What the hell is it today? And if I tried to explain it the rest of your life you will never understand. And I think that uh, when Christina and I and your mother have some time to work on him, you'll have no problem with your father, John. And Mrs. Prentice says that like her husband I'm a burned-out old shell of a man who cannot even remember what it's like to love a woman the way her son loves my daughter. And I think that now, no matter what kind of a case some bastard could make against your getting married, there would be only one thing worse. Now, Mr. Prentice, clearly a most reasonable man, says he has no wish to offend me, but wants to know if I'm some kind of a nut. The intended centerpiece of the collection is Kramer's last critical and commercial hit, Guess Who's Coming to Dinner (1967). --Richard T. Jameson, Guess Who's Coming to Dinner Screenplay », https://www.quotes.net/movies/guess_who's_coming_to_dinner_quotes_4821. Tillie: I don't care to see a member of my own race getting above himself. Christina Drayton: It's not that I don't want to know you, Hilary, although I don't. And the two of you will just have to ride that out. Anybody could make a case, a hell of a good case, against your getting married. Matt Drayton: Well Tillie, when the hell are we going to get some dinner? A great memorable quote from the Guess Who's Coming to Dinner movie on Quotes.net - Matt Drayton: You're two wonderful people who happened to fall in love and happen to have a pigmentation problem. Because Sony is the distributor, only films from the Columbia Pictures library could be included, which means many of Kramer's most celebrated titles weren't: e.g., The Defiant Ones, On the Beach, and Judgment at Nuremberg, all released through United Artists. Christina Drayton: [to her assistant, Hilary, in the driveway] Now I have some instructions for you. Stanley Kramer is not just a name in film history but a virtual brand name for a subspecies of filmmaking. We're doing our best to make sure our content is useful, accurate and safe.If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly. In remarks recorded for the 40th-anniversary DVD, Steven Spielberg salutes Guess Who's Coming to Dinner as "social instrument" and "social entertainment." So what do you think you've been doing? Certainly. Guess Whos Coming to Criticize Dinner? Others in the cast include Michael Dunn (another Oscar nominee, as a dwarf Greek chorus), Vivien Leigh (her final performance, as a spiritual cousin of Blanche DuBois), Lee Marvin, George Segal, Elizabeth Ashley, Heinz Rühmann, and Jose Ferrer. The heart of the film belongs to Simone Signoret and Oskar Werner, Oscar-nominated and also honored by the British Film Academy, the Golden Globes, and (Werner only) the New York Film Critics for their performances as two world-weary souls who briefly console each other en route to their respective dooms. So the movie is a cultural milestone--but hardly a cinematic one: it rarely escapes feeling schematic and overcautious in its fear of alienating the public on one hand and glorifying violence on the other. On screen, Harris's real age (26) is distractingly apparent, and her voice, like Frankie's aggressive neediness, can be like fingernails on the blackboard. Whatever his profile, for the better part of two decades Kramer loomed large on the American cinema horizon as a fighting liberal and truth-seeker. I think of myself as a man. John: You know, I just had a thought. Of the other two early films, The Member of the Wedding (1952) boasts hefty credentials--direction by Fred Zinnemann (the same year he did High Noon for Kramer), a Carson McCullers novel and play as source material, the original Broadway cast re-creating their roles--but it's mostly an endurance test. But you don't own me! Julie Harris had triumphed on stage as Frankie, the nervy, garrulous 12-year-old whose world in the Deep South of the 1940s has pretty much shrunk to her family's kitchen and the companionship of wise and patient mammy Bernice (Ethel Waters) and next-door kid John Henry (Brandon de Wilde in his first film role). Carhop: Daquiri Ice, Honeycomb Candy, Cocoa, Coconut, Jamocha Almond Fudge, Mocha Jamocha, Peanut Butter & Jelly, Cinnamon, Banana Mint... Matt Drayton: Must've been some other place.

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