Moray Welsh. The Violin Sonata in G minor, L 140, for violin and piano was composed by Claude Debussy in 1917. sonata form. Europe was plunged into the bleakness and devastation of the First World War, bringing food and coal shortages and economic hardship to Paris. Sleeve note of the Supraphon CD (SU 3547-2 101), http://www.momh.org.uk/exhibitions-detail-photo.php?cat_id=5&prod_id=280&type=sub&id=663. movements, acts, verses, etc.). Debussy wrote his solitary Violin Sonata in the closing days of his life plagued by the distress of the ongoing Great War financial difficulties and health issues of a terminal cancer. A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. [5] The first public performance in France was thought to be at a charity concert on March 9, 1917. Originally, "sounded" rather than "sung" (sonar vs. cantar), e.g. Advanced Search; Composers; Lists; Articles; About; Dashboard; Settings; Contact; Login; YCM Settings × Close. The Sonata for Violin and Piano in G minor was Claude Debussy’s last completed composition. The first performance of the Sonata took place in Boston, at Jordan Hall in the New England Conservatory, on November 7, 1916. The piece is notable for its brevity; a typical performance lasts about 13 minutes. Thompson, K.L. Filled with mystery, the theme now seems to be opening the door to a new, transcendent world. That's it. The premiere took place on 5 May 1917, the violin part played by Gaston Poulet, with Debussy himself at the piano. This field is for validation purposes and should be left unchanged. Download and Print top quality Sonata in G minor sheet music for violin and piano by Claude Debussy. In general usage as a work title, it designates a multi-movement piece for solo or duo instruments with one of the instruments enjoying a feature role. (Oct, 1968). 6, No. It was his final composition, the third part in a cycle of six sonatas he had intended to create using solo instruments and piano (the previous ones being the cello sonata, L 135, and the sonata for flute, viola and harp, L 137). The sonata for cello and piano, L. 135, was written in 1915, and is notable for its brevity, most performances not exceeding 11 minutes. The sonata for flute, viola, and harp, L. 137, was also written in 1915. Download Claude Debussy Sonata for Violin and Piano in G Minor, L.140 sheet music. [6] However, Thompson (1968) reported a performance of the sonata at London's Aeolian Hall by Albert Fransella, Harry Waldo Warner and Miriam Timothy on 2 February 1917 as part of a concert otherwise given by the London String Quartet. The piece makes use of modes and whole-tone and pentatonic scales, as is typical of Debussy's style. From 1914, the composer, encouraged by the music publisher Jacques Durand, intended to write a set of six sonatas for various instruments, in homage to the French composers of the 18th century. music that is "inserted" (or "interpolated) between two musical entities of greater importance (e.g. The First World War, along with the composers Couperin and Rameau, inspired Debussy as he was writing the sonatas. His death on 25 March 1918 prevented him from carrying out his plan, and only three of the six sonatas were completed and published by Durand, with a dedication to his second wife, Emma Bardac. Claude Debussy He admitted the fact to me and I warmly encouraged him to follow his inclination. The piece is considered technically demanding. duo, duet, dueto [S], duetto [I], duett [G], a work for two instruments; the ensemble itself, The final movement, sometimes explicitly titled thus, intermezzo, intermedio [S], intermède [F], interlude, Entr'acte. Congratulations on this excellent venture… what a great idea! He left behind his sonatas for cello and piano (1915), flute, viola and harp (1915), and violin and piano (1916–1917). The premiere, which was on 5 May 1917, was … In addition to performing and teaching, Timothy Judd is the author of the popular classical music appreciation blog, The Listeners’ Club…. The final movement (Finale: Très animé) opens with a return to the main theme of the first movement.

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