You’ve been drawing and painting in the atelier arena for many years. Schmid’s tone is wonderfully down to earth and practical, yet he shares the spiritual qualities of painting and paintings evocatively. The author shows you how to achieve a painterly effect with oil, acrylic, and pastels and tells you what materials are most useful. This Pocket Art: Portrait Drawing art guide is perfect for those artists looking to improve their portraiture skills. He said the best way to learn to write is by carefully listening and seeing. It is a must read who’s wisdom will follow you all your days! Go and play with it, it is such a beautiful medium!! They discuss reasons people either don’t ever make a start in making art, or quit in the process. A companion book to Lessons in Classical Drawing, this book explains the fundamental skills and tools needed to master painting in the atelier style. Buy from here . This one was recommended to me when I was starting out. Join our Newsletter to be the first to know about new workshops & retreats. I receive a small commission on any purchases at no additional cost to you. Hi Sophie, I recently came accross your blog and I really like your information! It was arguably a more intellectual time than the present, and he speaks much about the ideas of emphasis—selection and design—and composition. It can be an overwhelming thought at times, but as Confucious said: It does not matter how slowly you go as long as you do not stop. He has a deeply felt admiration for artists as creators and their intellectual freedom. Hi Dan, I also have Kevin Macpherson’s “Landscape Painting Inside and Out” which in addition to your lessons and his “Fill your oil paintings with Light and Color” has helped me a great deal; I refer to them over and over. I can see how one can draw a terrific amount of inspiration and practical know-how about drawing and painting from what’s in this book. For example he has chapters on different sources of light and how they affect your painting, how lighting works on a form, and how light can have various effects on different surfaces. It is an attempt at permanence and strives for eternity. But when we’re looking at great painting, it often has a unique way of distilling and preserving emotion. He’ll probably demo both – notice that even the physical action of applying marks is the same in both media. An excellent reference for composition, atmospheric perspective, and skies. If you're an art educator, don't skip this one! (Albala), James Gurney, Color and Light. Take your lessons and inspiration from nature, but judge success by how well the light works within the painting. Edwards delivers a lot of interesting concepts as she encourages you to explore the importance of creative thinking. I really like your portraits and am still tempted to have a go at pastel portraits, after all I love drawing and I guess its drawing with colour, although it’s called pastel painting isn’t it. Deirdre also recommends seeking out books on the works of Fechin, Antonio Lopez Garcia, Ivan Shishkin and Valentin Serov. If you love the watercolor paintings of British artist J.M.W Turner (1775-1851) you will love this book published by the Tate Gallery. Facebook is really a goldmine for artists as we all connect to share our work, our experiences, we help each other out and make new friends. Subjects covered include grisaille, form and edges, temperature, and colour. There are so many books on painting and drawing out there - go straight to the best ones with this guide from professional artist and teacher Deirdre Shanny. Do check it out. Speed had this notion which he called ‘dither’, a subtle balance between pure observation and artistic design, in which perfection or mechanical accuracy does not necessarily result in the greatest art. The other point I would add is that while books definitely have their place, DVDs allow you to see the process of mixing paint to various consistencies and applying it to the surface – books can’t do that, yet it is one of the most difficult things for beginners to learn, in my opinion. The book is divided into chapters on line, light and planes, mass, position and thrust/direction, and artistic anatomy. Works by a wide range of artists are discussed for the insights they offer into the artists’ personal world, including Caravaggio, Gentileschi, Ghiberti, Giotto, Goya, Kahlo, Magritte, Picasso, Raphael, Rembrandt and Van Eyck. Thanks to his journals, you might say that he’s as much a literary figure as he is a painterly figure. Juliette exhibits and teaches workshops both nationally and internationally, and is the author of Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice, Classical Painting Atelier: A Contemporary Guide to Traditional Studio Practice, Lessons in Classical Drawing and Lessons in Classical Painting, and most recently Figure Drawing Atelier. The landscape is broken down into component parts - sky, terrain, trees, and water - with each lesson building off the previous one, and additional information about artist supplies and tools. Originally published in 1920, Dow’s book on composition has had a strong influence on artists for the past century. This book is a true and unexpected gem. If you are the interviewee and would like to update your choice of books (or even just what you say about them) please email us at The light in front of you lasts but a few moments but the painting remains. Cheers, Forest. Oil Painting for the Serious Beginner: Basic Lessons in Becoming a Good Painter. And before I forget, I did a workshop with Andrew James in October and it was brilliant. Although some of the drawings are a bit dated, specifically the hairstyles and clothing, it's still an excellent primer for learning how to draw and can be easily applied to what you're making today. I have several of these books and from a previous post you also recommended Stephen Quillers “Color Choices” which I have had great pleasure in. Together we might come up with the the best books on painting of all time! Many good writers write about a certain topic but you can apply their lessons on much more. ​Although there are many techniques, exercises and approaches to drawing in my own drawing and in my teaching I often (not always) use my own no doubt fraying-at-the-edges approach to the classical method. Robert Beverly Hale’s Drawing Lessons from the Great Masters has been a best seller for over 45 years. Indeed!


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