The voices appear in the exposition in the unusual order of subject - answer - answer - subject. This is because in JSBs original score, the 2 bass notes sustain and form the basis of the chord progression. This fugue in C major, the first fugue from the first book of Bach's Well-Tempered Clavier, presents several interesting aspects: The voices appear in the exposition in the unusual order of subject - answer - answer - subject. This fugue in C major, the first fugue from the first book of Bach's Well-Tempered Clavier, presents several interesting aspects: Some authors propose various numerological symbolism. We have numbered the subject and answers appearance. Read our privacy policy for more information. Bach – Prelude No. BWV 952 ; BC L150 I-Catalogue Number I-Cat. The only measures where the subject is not present are measure 23 and the two last measures of the fugue. Published by teoria.com, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. teoria.com uses cookies. If you play just the bass staff of the above score, you will see that there are some melodic effects that this makes, which are not audible if one just plays each 5 tone chord (upper and lower staves). notes are missing. incomplete presentations of the subject. To be able to get to the total of 24 subjects you need to include two An early version of the prelude, BWV 846A, is found in the Klavierbüchlein für Wilhelm Friedemann Bach. No. The Prelude and Fugue in C Major, BWV 846, is a keyboard composition written by Johann Sebastian Bach. Title Composer Bach, Johann Sebastian: Opus/Catalogue Number Op./Cat. In connection to this topic, the performer has to decide as to whether the 16th notes of the right hand should be sustained until the end of each arpeggio, or if they should be held (only) as long as the notation indicates. The first incomplete appearance is in measure 14: The 4 last notes are missing, yet this voice enters in a stretto, so you really hear it as a subject entrance even if the 4 last Period: Baroque: Piece Style Baroque: Instrumentation Clavier An analysis of J.S Bach's Prelude and Fugue No.1 in C major, BWV 846, from the Well Tempered Clavier Book 1. A detailed guide that analyzes the structural, harmonic and thematic frame of the Prelude and the Fugue. The second incomplete appearance is in measure 15 where only the first 7 notes are presented: In the third incomplete appearance in measure 20, we only hear the first 3 notes (although you may find some relations between the sixteenth notes in 2 + 1 + 3 + 8 = 14. By using our site you agree to the use of cookies. the next measure with the 32ths notes of the subject): Follows the complete analysis of the fugue. It is the first prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer. 1 in C Major, BWV 846 __ The famous prelude opening Book I of the Well-Tempered Clavier is both wonderfully classical in its harmonic richness and wonderfully modern in its repetitive simplicity. Incomplete appearances, appear in green color: ©2005 José Rodríguez Alvira. 1843 Composer Time Period Comp. IJB 202 Key C major Movements/Sections Mov'ts/Sec's: 1 First Pub lication. After the exposition Bach presents numerous. as you will see in our analysis, there are only 22 complete subjects. Please note that in the above score, I have grouped the two bass tones and the upper chords separately. The 14 notes long subject is said to be related to Bach's name: B = 2, A = 1, C = 3, H = 8 The fugue closes by ways of a warm and splendid organ point with the upper voices rising in counterpointal dialogue to a crowning and lofty C maj. Below is an overview of the 4 sections of the fugue, as well as an indication of the modulations that occur.

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