It showed the royal in a simple, loose-fitting cotton dress that caused an uproar for its informality and inelegance, and the Queen’s decision to be shown that way. Élisabeth Vigée Le Brun, née Louise-Élisabeth Vigée le 16 avril 1755 à Paris, et morte dans la même ville le 30 mars 1842, est une artiste peintre française, considérée comme une grande portraitiste de son temps. She took lessons from Gabriel Briard, and she received encouragement from well-known artists Joseph Vernet, Hubert Robert and Jean-Baptiste Greuze. It was seen as unconventional and controversial as it went against the accepted close-lipped rules of French art. Vigée Le Brun created a name for herself in Ancien Régime society by serving as the portrait painter to Marie Antoinette. The Metropolitan Museum of Art. By the time she was in her early teens, Élisabeth was painting portraits professionally. She is most remembered for her 30 portraits of the famed Queen, but her work expanded far beyond this, creating around 660 portraits and 200 landscapes during her career. In 1776 she married an art dealer, J.-B.-P. Lebrun. The National Museum of Western Art, Tokyo. Autoportrait Verviers, Musées des beaux-arts, Autoportrait Now (=1900) in the collection of Mr. C. P. Huntington, Antoinette-Elisabeth-Marie d'Aguesseau, comtesse de Ségur (1756–1828), Alexandre Charles Emmanuel de Crussol-Florensac, Ekaterina Feodorovna Baryatinskaya-Dolgorukova, Maria Josepha Hermengilde Esterházy de Galantha, Corisande Armandine Léonie de Gramont, Countess of Tankerville, Marie Gabrielle de Gramont, Duchesse de Caderousse, Madame Grand (Catherine Noele Worlée), Later Madame Talleyrand-Périgord, Giuseppina Grassini dans le rôle de Zaïre 1804, Charlotte Eustache Sophie de Fuligny-Damas, Catherine Victoire d'Huvelin de Bavilliers, Anne-François de Lastic, marquis de Sieujac, Louise-Augustine de Montesquiou-Fézensac, marquise de Lastic, Izabela Lubomirska (Elżbieta Czartoryska) The Blue Marquise, Portrait de Henryk Ludwik Lubomirski 1789, Alexandre Marie Léonor de Saint-Mauris de Montbarrey, Charles Henri Nicolas Othon de Nassau-Siegen, Marie Louise Joséphine Delphine de Rosières de Sorans, La Comtesse Catherine Vassilievna Skavronskaia, Shabanov D’après Vigee-Lebrun. On 12 February 1780, Vigée-Le Brun gave birth to a daughter, Jeanne Julie Louise, whom she called Julie and nicknamed "Brunette." She caught the eye of Marie Antoinette, who became one of the artist’s best customers—but not without scandal. She continued to travel, but eventually settled down in Louveciennes, in the suburbs of Paris. (The self-portrait that illustrates this article was painted in the style of Peter Paul Rubens and was inspired by his portrait of his sister-in-law, Suzanne Lunden.) Prince", label QS:Lpl,"Alegoria geniuszu Aleksandra I. Książę", label QS:Len,"Marquise de Pezay and marquise de Rougé with children", label QS:Lpl,"Markiza de Pezay i markiza de Rougé z dziećmi", label QS:Lfr,"La marquise de Pezay et la marquise de Rougé avec ses enfants", label QS:Len,"William Pleydell-Bouverie, 3rd Earl of Radnor", label QS:Lpl,"William Pleydell-Bouverie, 3. earl Radnor", label QS:Len,"Mme Rousseau with doughter", label QS:Len,"Ekaterina Sergeevna Samoylova (Trubetskaya) with children", label QS:Lpl,"Ekaterina Sergeevna Samoylova (Trubetskaya) z dziećmi", label QS:Len,"Countess von Schönfeld and her daughter", label QS:Lpl,"Hrabina von Schönfeld z córką", label QS:Len,"Marechal Philippe Henri de Segur", label QS:Lpl,"Marszałek Philippe Henri de Segur", label QS:Len,"Anna Sergeevna Stroganova (nee Trubetskaya)", label QS:Lpl,"Anna Sergeevna Stroganova (z domu Trubetskaya)", label QS:Len,"Anna Sergeevna Stroganova (nee Trubetskaya) with son Sergey", label QS:Lpl,"Anna Sergeevna Stroganova (z domu Trubetskaya) z synem Siergiejem", label QS:Len,"Sophia Vladimirovna Stroganova (nee Golitsyna) with son Alexander", label QS:Lpl,"Sophia Vladimirovna Stroganova (z domu Golitsyna) z synem Aleksandrem", label QS:Len,"Bacchante (Sophie de Tott)", label QS:Lpl,"Bachantka (Sophie de Tott)", label QS:Lpl,"Hrabina Irina Ivanovna Vorontzova, z domu Izmailova", date QS:P,+1800-00-00T00:00:00Z/9,P1480,Q5727902. The two women became friends, and in subsequent years Vigée-Lebrun painted more than 20 portraits of Marie-Antoinette in a great variety of poses and costumes. Catherine II de Russie, D’après Vigée-Lebrun. Undeterred, she applied to the Académie de Saint-Luc, a painter’s guild that mostly catered to those who lacked the money or rich patrons to be members of the Académie royale de peinture et de sculpture, France’s premier art institution. Try to remember if these famous names were painters or architects. Paris. If you see something that doesn't look right, contact us! Through her exhibits at their home and the Hôtel de Lubert, as well as her new familial ties, she made numerous important contacts, soon being regularly commissioned to paint portraits of many a noble. Al di là delle illazioni di natura sessuale, la donna fu accusata di non essere autrice delle proprie opere, che sarebbero state prodotte da un uomo. Her clientele included aristocracy and royalty, including Marie Antoinette, whose portrait she painted 30 times. The painting was removed from the Salon shortly after and Vigée Le Brun quickly painted a similar one, this time with the Queen dressed in a classic blue-grey silk dress. The Metropolitan Museum of Art. Vigée Le Brun painted over 30 portraits of the Queen and her family, but the one that caused the biggest stir is one that is sometimes referred to as Marie-Antoinette in a Muslin Dress (below). The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content. Born in Paris on 16 April 1755, Élisabeth Louise Vigée was the daughter of a portraitist and fan painter, Louis Vigée, from whom she received her first instruction. La dernière modification de cette page a été faite le 8 mars 2020 à 18:25. In 1789, the French Revolution was in full swing, and the Royal Family was arrested, forcing Vigée Le Brun to flee to France with her daughter for fears for their safety. Vigée Le Brun painted portraits of many of the nobility. In 1760, at the age of five, she entered a convent, where she remained until 1766. Vigée Le Brun published her memoirs, titled Souvenirs, in three volumes between 1835 and 1837. Marie Louise Élisabeth Vigée Lebrun (París; 16 de abril de 1755-Louveciennes; 30 de marzo de 1842) fue la pintora francesa más famosa del siglo XVIII y una de las retratistas más demandadas de su época.

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